Sculpt in zbrush paint in 3d coat workflow

that is why its good to learn to use NURBS tools.

And depending on how much smooth curvy surfaces you have, both will be blown out of the water by a good NURBS / CAD tool. roughing in a mechanical model in 3D Coat Voxels vs a poly modeller is most probably not faster, maybe even slower. Something similar can be achieved, to my knowledge, with ZSpheres in ZBrush (minus the part of not worrying about topology while you sculpt).ДЎa) About being faster sculpting than modelling. Voxel Sculpting has its own set of limitations and shortcomings, so its not the silver bullet some people are looking for, though. There's no point spending time rigging the high-poly version to the skeleton if it's never going to be used in a game.ДЎ) If you are interested in a sculpting tool without the need for a modelled base mesh at the start, have a look at 3D Coat, especially the Voxel sculpting part.Д«asically the tool works in a way where you can start with primitive objects (like cubes, spheres, but also imported meshes) that get converted to voxels (3D pixels), and then you can work on that without worrying about the topology of the model (because you are working on the voxel model underneath, and that model gets converted to a polygon mesh for diplaying in the viewport automatically). Also the topology of sculpted models is often terrible, and a hand-authored low-poly topology can be animated/deformed better without strange twisting/shearing/bending occurring.ДЄfter you've made the low-poly version of the model, you then rig it to a skeleton, and then animate the skeleton. It's a matter of optimization to transfer/bake the high poly details onto a lower-poly mesh. However, realistic hair rendering is a tough problem, so there's often very specialized workflows around making animated hair.ДЈ) Sculpted models are generally too complex for use in games directly. There's no reason that hair is any different. Other times people will make a low-poly mesh first ( after the concept/illustration phase), then import it into a sculpting program to add extra details, and then bake those details back onto the low-poly version.Дў) You usually convert 'sculpted' models (aka rediculously high poly-count models) into low-poly models for use in games. Then a 3d artist will do a high-poly sculpt, then a low-poly mesh will be created, then UV's and textures will be created. 1) In big studios, a character's design usually starts with illustration - a concept artists will paint a whole bunch of pictures of the character.

Sculpt in zbrush paint in 3d coat workflow